The Other Quilt Show with THAT Quilt

In the last post I talked about attending a quilt show that featured mostly contemporary quilts and other fiber arts. The next day I attended another show, put on by the Northwest Suburban Quilters Guild of Illinois, that was as different from that one as could be.

Pieceful Gathering Quilt Shop was vending at this show and Carrie, the owner, is always so nice about displaying my books and quilts at her booth. She even has a whole page on her website devoted to kits for quilts from my books, the "Kathleen Tracy Doll Quilts" page, LOL. You can find kits for both of the quilts I show below at her online store.

Here's her version of my little Lincoln's Platform quilt from Remembering Adelia. I like the way it turned out and I think I actually like HER border better than mine.

This is the Calico Comfort nine-patch quilt from the same book.

I met  Dorothy  from Ewe-nique creations and admired her lovely wool Block-of-the-Month Crazy Quilt. I've never been a crazy quilt fan, but lately some have been thrown my way, and you know what? I actually like them now.

This is the little crazy quilt I made that's in my book American Doll Quilts:

Most of the quilts at the show were very traditional and I loved the ones made with reproduction fabrics from the 19th century.

Madelyn, from my SmallQuiltTalk group, made this sampler and the little one below it:

But this is the quilt that stopped everyone in their tracks. A "Dear Jane" quilt made by Shar Snellman:

If you're at all interested in quilt history or quilts made during the Civil War, you probably have heard of the Dear Jane quilt from 1863 made by one Jane Stickle. It is actually dated and signed: In War Time 1863 Pieces 5602 Jane A. Stickle. There are 225 different blocks and it's really an incredible quilt. It's assumed that Jane made the quilt with so many little pieces to occupy herself during the Civil War and, like many women with loved ones in the war, to take her mind off of the anxieties and worries she may have been experiencing. Here's the original, which resides in the Bennington Museum in Vermont:

WOW!

Brenda Papadakis spent five years researching and documenting Jane Stickle's quilt. In her book, Dear Jane, she tried to reproduce each block as accurately as possible. There are Dear Jane enthusiasts all over the country and other parts of the world making Dear Jane quilts in all sorts of versions. Some try to reproduce Jane's quilt faithfully using the same colors and Civil War fabrics and some make the blocks using contemporary fabrics.

I can see why so many quilters are in love with this fabulous quilt. It's the ultimate sampler quilt, every block unique.  Making a quilt like this would be a BIG commitment, but then I could actually step back and say “Wow, I made this." I've been toying with the idea of starting one for quite awhile and seeing Shar's finished quilt motivated me again. I'm going to do it. Madelyn said it took her 10 years to finish her quilt--it's almost done. What else am I doing in the next 10 years?? If I make one block a week and stick to it . . . maybe it would take me 5 years at the earliest? More likely 15 . . . but that's ok. I'll just make it one of my lifetime goals.

Shar said it took her 4 years to make hers and I can't imagine the work she put into it. But look at that smile now that it's finished!

Right now I have to concentrate on finishing my next book, but after that, in the Spring and Summer, who knows? Can I do this? Am I nuts? Has anyone else finished one and do you have any advice for me? Stay tuned for my excellent quilting journey next year. Unless I chicken out.

Two Quilt Shows in One Weekend!

The weekend before last I attended 2 quilt shows, each as different as night and day. The first one, The Fine Art of Fiber, was held at the Chicago Botanic Garden, one of my favorite stomping grounds (literally--I walk there all the time). The gardens were a lovely backdrop for this unique show that was hosted by Illinois Quilters, Inc., North Suburban NeedleArts Guild, and the Weavers Guild of the North Shore.

The show featured more than 150 pieces, including quilts, various types of needle arts, knitting, weaving, wearable art, dolls, and jewelry. There were also vendor booths selling a variety of quilted, woven and knitted items. What I love about this show--I attend every year--is that the quilts featured are so very different from the type of quilts I make--most are modern, bright, versatile and completely non-traditional. There were a few traditional quilts thrown into the mix, but the fun part is seeing just how creative some of the quilters get with color and fiber.

This is a  really neat I Spy quilt, with the smallest pictures I've ever seen. If I had one of these to look at every day, I'll bet it would keep my brain active and I'd start remembering more . . .

Here I am in front of one of my favorite quilts, wearing a really fake smile, I don't know why. Ingrid told me to say "CHEESE" and I listened to her. After I got home and looked at the photos I decided I was probably drawn to it because it matched what I was wearing! I really do love red and blue . . . .

Here are a few more of my favorite quilts:

Can you believe the quilting on this one?? It was a rather small quilt too.

I LOVE LOVE LOVE this quilt!

Here's Ingrid standing in front of one of HER favorite quilts (she thinks now that I do a little applique I'm going to make one of these for her someday. I told her uh-huh, SOMEDAY):

I wanted to buy this beautiful woven jacket, but it cost $465.00 . . . .

I really want to learn how to knit before I have grandchildren--but hopefully that won't happen any time soon. Isn't this little sweater sweet?

That's it for now. Check back later this week.  Next post:  What I saw at the other quilt show that helped me come to a BIG decision I've been toying with for awhile.

The Quilt That Followed Me Home

I recently wandered into a couple of antique shops near me, not necessarily looking for quilts, but just for fun. Buying antique quilts is not really in my budget these days, with a son in college and a daughter college bound soon enough. Plus, there's little room to display large quilts in my tiny house, so I like to look but don't usually get too attached when I see one. Where would I display it? Doll quilts are much easier to display but I rarely see any old doll quilts I want to buy at antique shops or flea markets--they all seem to have been made in the fifties (too close to home to be called "antique" I'd say!).

I haven't been drawn to the small ones I see at quilt show vendors' booths either and those I do see at antique shops or even on ebay are usually much too costly. I'm also not lucky enough to have had grandma's quilts handed down to me--I am the first quilter in my family. Notice I didn't say ONLY--I'm hopeful that I can recruit a few in the future and pass on the tradition. So, mostly I try to reproduce the patterns I like from old quilts and use reproduction fabrics to make my own NEW quilts that have a little bit of an antique touch. Works well for me. But I still like to look around at antique malls and this particular place has a pretty good array of shops.

I was half hoping to find something else for another collection I started, but not looking for a quilt. Isn't it funny how something often turns up when you're not really looking for it? You just never know. What kind of vintage treasure would it be this time?

This quilt is cool, but several hundred dollars cool? Better keep looking . . .

One shop is in an old schoolhouse building that claims to be the oldest school house in Illinois, dating from 1835, but probably restored somewhere along the line.

I spotted this one at a different shop, beneath some old textiles piled up on a chair in a corner, and it IMMEDIATELY called out to me.

I've always been drawn to schoolhouse quilts (I made a little red and blue one for my book Prairie Children and Their Quilts a few years ago). The fact that it was so faded and worn and in need of repair made me think of an antique doll or child's quilt that had been played with extensively. It looked forlorn, almost like it had been hidden because someone decided it held no value to anyone anymore. The price turned out to be affordable and the fact that I rarely EVER see schoolhouse quilts made it even more appealing. I couldn't resist. Don't know why. I had to rescue that quilt, regardless of the shape it was in.

The blocks are hand pieced and the quilt is tied, not quilted. It is definitely well worn and loved, has significant fading, a few stains and tears and is really in need of some good care. But it has such a primitive look and is truly a great piece of folk art. I couldn't just leave it there.

So I'm working on trying to date it. I know that schoolhouse quilts were popular in the late 19th century and that trend continued into the 1920s and '30s. According to the International Quilt Study Center in Nebraska,  "For rural women of the late nineteenth century, teaching was both the most prestigious and the highest paying opportunity available to them. The Schoolhouse pattern, which became popular at the same time, may reflect the lives of the many women who helped support their families through teaching positions, prior to their marriage."

                        

My quilt contains fabrics that are reminiscent of the late 1800s--double pinks, indigo and brown. And here's one you'll love--one of the fabrics used in the border is the SAME print as one in my reproduction collection! I recognized it right off as one I bought within the past year or two, but I only have a small piece without the selvedge left so I don't know who reproduced it. Maybe some of you also have this repro pink fabric (on the bottom). If anyone recognizes it, hopefully I can find out whose fabric line it belongs to:

My instincts tell me that the quilt was not made as late as 1920, particularly since it contains fabric that appears older and the binding is made from turning the edge of the backing to the front of the quilt, a technique used in the 19th century. Is it worth restoring? I'll be able to devote more time to that question after I'm finished with the book I'm working on. But it sure seems like I have enough similar fabrics in my collection to use to restore some of the blocks. Next year, while I'm taking my time repairing the damaged patches, I'll think about the woman from long ago who made it--Where was she from? Did she live on the prairie? Was she a teacher?--and try to bring that little schoolhouse quilt back to life.